$10 advance, $12 door
Tickets available at Leo's Video and Habitat
Lioness came together, almost in secret, in Toronto in the winter of
2007, when Jeff Scheven and Ronnie Morris, the rhythm section behind
the dark, stomping disco pulses of
controller.controller, hooked up with Vanessa Fischer of soul-punk quartet
No Dynamics.
Honing their craft by playing low-key after-hours sets in sweaty,
off-the-radar locales throughout the city, the band nonetheless
generated a remarkable undercurrent of buzz in the following months,
leading to support slots with the likes of !!!, Hercules and the Love
Affair, You Say Party! We Say Die! and K-OS.
Their sans-guitar sound is like a head-on collision of old and new, as
Fischer draws upon jazz, old soul and blues, roaring and moaning over
layers of electronic squall and elastic rhythms like a witch in heat.
It’s a clash of organic and synthetic, the sound of disco and house
music filtered and distorted through the instrumental apparatus of live
rock and roll. On stage, they are a synthesis of electronic rock band
and performance art project, a drum and bass wall of sound bathed in
red light.
The band recorded their self-titled EP with Rob Sanzo at
Signal To Noise and was it mastered by "Nilz" Patel at The Exchange in
London. The
Lioness EP was released October 21st, 2008 on New Romantic.
"Lioness is your response to your jaded friend’s claims that indie rock ain’t got no soul."
-XLR8R
"Combining the massive elements of Led Zeppelin with the
bleeps-and-blips skinny jeans dance craze, Lioness... seems well-poised
to pick-up Toronto's coolest band-ever mantle..."
-The National Post
"Anyone familiar with the members’ other work won’t be too surprised
by what they find in Lioness, but if you ask me, the band are the
marriage of those aforementioned bands’ best bits."
-Exclaim!
"…sweaty death-disco grooves that are as contagious as the common cold."
-Eye Weekly
"Lioness is the sound of 3 am."
-Vue Weekly
"Bass lovers be warned: this disc might be your hottest wet dream since Death From Above 1979."
-CHARTattack
Grand Analog is fronted by Odario Williams. Members
include Ofield Williams (DJ), Alister Johnson (keys), Warren Bray
(bass) and Damon Mitchell (guitar). Grand Analog is a raw collective of
seasoned record collectors, musicians and self described beat junkies.
Odario describes the Grand Analog sound as a beautiful mess of
rap'n'roll, dub and soul. "Grand Analog is unbalanced and dirty; never
clean. Grand Analog is fuzzy with three coats of dust and reads like an
old manual no longer in use". Calligraffiti, the debut album, has an
array of soundscapes you can travel through: 'Touch Your Toes' boasts
James Brown style drums, rock guitar and a New Orleans style horn
break. 'Around This Town' can only be described as a ska-pop-hiphop
joint. The new album titled "Metropolis Is Burning" keeps these
traditions alive by fine tuning what is now the Grand Analog sound.
Odario and DJ Ofield blame their father, a reggae DJ from the 80s, for
cursing them with the love of music, bass and trouble. Catalist on
keyboards was also born into a musical family inheriting a few dusty
analog keys for the lab. GA's live show adds soul to the bloodline
mixing infrequent stage jams and off the wall tactics. Grand Analog's
METROPOLIS IS BURNING is available May 26, 2009.
Yours truly is very much looking forward to this show...