- By Pyper Geddes
- Published 08/29/2010
It's Sunday which is typically a day of rest but apparently, as Cage the Elephent told us, there ain't no rest for the wicked so even though there are those among us who didn't get to bed until 4:30am, they were still up in time to get their fill of hashbrowns, scrambled eggs, and sausages (heavy on the sausages).
The showcases last night were outstanding. It's always nerve-wracking to be the first to perform but, according to me, they all nailed it.
Adaline, fresh from her recording studio sessions in Toronto with the great Hawksley Workman, definitely had a new sound that I was definitely digging. Her new music borders on more of a rock edge as opposed to her catchy pop sound from last year. This was the first time she performed her new songs live and after hearing them I can't wait for my own copy of the album.
Greg Sczebel’s set was easily the grooviest of the evening. He is such a talented musician which matches his talent for live performance. His energy on stage was constant throughout his set even though he was stuck
behind his keyboard but his true performer came out when he came out from behind the keys, grabbed a mic and rocked out his last song on the front of the stage. Greg had me clapping and grooving along even though I was alone at the back of the room. Next time I’ll be up front.
41st and Home really grabbed my attention with their set last night. All of their songs had such build up that I was hanging on every note eager to hear what would happen next. The five piece band had a great sound but what I think really pulls them together is their trumpet/trombone player, Andrew, who adds the sharp brass sound that sets them apart from other bands of the same genre.
Debra-Jean’s performance was undoubtedly transfixing. The former Mother Mother vocalist is now out on her own, exploring her own unique sound. Although you can barely make out the lyrics to any of the artists’ songs in the gigantic Pinnacle Dining Hall, you could tell that Debra-Jean’s live performance was a complete embodiment of her songs. One word that comes to mind when I think of her set is haunting – but haunting in that good way, you know?
After those showcases I can’t wait for tonight, and the next night, and every other night of camp.
I braved the zip line yesterday although I think my spleen is paying for it today (if my spleen is in fact located below my left ribcage). But one good turn deserves another so I have now torn a few muscles in my back from the Tower of Terror – which is in fact terrifying but Quinn and I nailed it! I’m exaggerating of course but I am in pain and could use a little masseuse action.
Listening to sound checks right now but around the camp artists are furiously pondering the possibilities of the songwriting competition that was just announced today. The theme for this year’s competition is “Last Night” so it’s good we have a tamer crew than last year otherwise the content might not be so PG. The artists last year blew us out of the water with their “In A Minute” songs, which ended up being recorded by Don McLeod in a makeshift studio set up. This year the artists are lucky to have the Nimbus School for Recording Arts along with equipment donated by Long & McQuade to help record this year’s set of songs.
I could in fact write a book about all the goings on here at camp but my little fingers are tired for now so you have to wait until tomorrow for Chapter 3.
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